Welcome to my portfolio. I’m Marabeth Quin, a mixed media collage artist.

For further description of my current work, see below.

If you have any questions, or inquiries about commissions or licensing, feel free to contact me.

Modern living room with a dark green chair, abstract artwork on the wall, decorative cabinet with circular design, and a potted plant.

The Process

My process generally starts with acrylic paint, as well as a variety of other materials like graphite, tempera paint sticks, water-soluble crayons and acrylic ink. Over this base layer, I begin building my foundation of collage, using bold patterns and colors, as well as botanical and bird elements that then undergo a layering process.

I make most of my own collage papers with semi-transparent papers, tinting them with paint or ink, as well as printing patterns using the gelli plate. With these papers, semi-transparent layers build up, creating depth, interest and a luminous quality that can almost appear to be lit from behind. It is the transparency and the layers that make a cohesive surface that is soft, dream-like, and harmonious.

Woman sitting in an art studio, wearing a blue shirt and mustard apron, smiling at the camera with art supplies in the background.

I think about why I love working with these tiny scraps of paper, so fragile and disconnected, and I have my reasons, I think.  Life feels this way to me sometimes: so fragile and disconnected.  All the roles we have to play, the work commitments to fulfill, the life-changing events, families to tend to, children to raise, running here and there.  Like tiny scraps of paper, it can all seem so disconnected; like we’re chasing something, but maybe not quite sure what it is.    

But if we can manage to stand back once in awhile and see the whole—the many layers and pieces of our lives contribute to this overall, luminous effect.  If we’re lucky, then ever so often we get this altitude and we see for a moment that these seemingly fragile and disconnected pieces are actually all connected, layering one upon another in a beautiful and orderly composition.

Now in my later 50s, I feel the need to synthesize these roles and pieces of my life, making room for all of the feelings and contradictions, the heartbreaks and joys, to become whole. Working with collage teaches me to do this. It teaches me that each piece contributes to the whole, and in the big picture, nothing is disconnected, but rather intricately woven.  And it’s beautiful.

“Life comes to us in pieces. It’s up to us to make some sort of beautiful sense out of them.

This is why I work with collage.”

Marabeth Quin

Contact Marabeth

 Contact Marabeth